Street

Street and cinematic presets

Street work is usually shot in whatever light exists, which means mixed colour temperature and deep shadow. These looks lean into that: lifted blacks, contained highlights, and a colour cast that unifies a frame lit by three different sources.

The matte black lift is the signature — it keeps shadow detail visible on a phone screen where a true black would swallow it. If you're printing rather than posting, pull the blacks back down a few points.